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Home > THIRDSTONE > Vol. 2 (2021) > Iss. 1

 

Volume 2, Issue 1 (2021) Sonic Afrofuturism

Conversations

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Recalling the (Afro)Future: Collective Memory and the Construction of subversive Meanings in Janelle Monáe’s Metropolis-Suites
Anders Liljedahl

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Editor's Corner: Sound Carries
Julian Chambliss

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Give Me Liberty or Give Me (Double) Consciousness: Literacy, Orality, Print, and the Cultural Formation of Black American Identity in Harriet Jacobs’s Incidents in the Life of a Slave Girl and Octavia Butler’s Kindred
Aisha Matthews

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Mapping the Sonic Imaginary: Stacey Robinson’s Visual Codex
Julian Chambliss and Stacey Robinson

Continuing the Conversation

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Annotated Bibliography - Grace Jones, Slave to the Rhythm
Bennett Brazelton

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A Critical History of Adonis’ “No Way Back
Marvin J. Gladney

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Grandmaster Flash, the Sound of Afrofuturism
Stacey Robinson

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Book Review: A River Called Time
Rochelle Spencer

Guest Editor

Dr. Julian Chambliss
Michigan State University

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Curated by Damaris Billups, Intern

 
 
 
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ISSN: 2688-6510

 
 
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