Abstract

This thesis discusses the relationship between presence and void in relation to two pieces being found within one. A product of my upbringing, the monotony and multiples gave me the opportunity to continue my pattern of processing personal emotions through the artistic process. Very physically and conceptually fluid, the pieces are all visually singular with ties to architecture or city planning as well as influences from other artists that work with positive and negative.

Library of Congress Subject Headings

Sand sculpture--Technique; Sand sculpture--Themes, motives; Space (Art)

Publication Date

11-27-2017

Document Type

Thesis

Student Type

Graduate

Degree Name

Fine Arts Studio (MFA)

Department, Program, or Center

School of Art (CIAS)

Advisor

Elizabeth Kronfield

Advisor/Committee Member

Sarah Thompson

Advisor/Committee Member

Denton Crawford

Campus

RIT – Main Campus

Plan Codes

FNAS-MFA

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