Toni Pepe

Abstract

This thesis explores the notion of loss as an overarching theme for the examination of memory and the feminine as constructed tools for identity. Certain paradigms related to gendered roles, domesticity, femininity and the female psyche are investigated. The thesis also addresses ideas within Lacanian theory; concentrating on the male gaze, female representation and the artist as both photographer and subject. Absence and presence are also significant themes, as both narrative tools and as inherent photographic characteristics. The idea of loss is further emphasized by absence/presence within the photograph, calling to mind the relationship of the photograph to memory.

Library of Congress Subject Headings

Photography, Artistic--Themes, motives; Photography, Artistic--Technique; Memory in art; Gaze in art; Sex role in art

Publication Date

3-1-2008

Document Type

Thesis

Student Type

- Please Select One -

Department, Program, or Center

School of Photographic Arts and Sciences (CIAS)

Advisor

Sheffield, Clarence

Advisor/Committee Member

Larkin, Dan

Comments

Note: imported from RIT’s Digital Media Library running on DSpace to RIT Scholar Works. Physical copy available through RIT's The Wallace Library at: TR655 .P46 2008

Campus

RIT – Main Campus

Plan Codes

IMGART-MFA

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