Abstract

The purpose of this thesis is to derive a synthesis of the sculptural aspects of form and structure and the physical principles of musical acoustics. vibrating systems: Specifically I wish to deal with three types of free-end vibrating bars; fixed-end vibrating bars; and three-dimensional vibrating bodies, each of which possesses a unique set of technical constraints within which the aesthetic requirements of form and structure may be addressed. My objective is to conduct research leading to the design and construction of a group of objects which, through the involvement and participation of the viewer, communicate both a visual and an aural statement. This concept is to be manifested primarily through the medium of clay, although glass, metal, fibers, and wood may be employed where needed to meet certain acoustic, structural, or aesthetic needs.

Library of Congress Subject Headings

Ceramic sculpture; Musical instruments--Construction

Publication Date

3-1-1983

Document Type

Thesis

Department, Program, or Center

School for American Crafts (CIAS)

Advisor

Slit, Robert

Advisor/Committee Member

Schiraneflugil, Franklin

Advisor/Committee Member

Meyers, Fred

Comments

Note: imported from RIT’s Digital Media Library running on DSpace to RIT Scholar Works. Physical copy available through RIT's The Wallace Library at: ML460.H347 1983

Campus

RIT – Main Campus

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