This thesis examines images of men and the products they promote in Gentleman 's Quarterly (GQ) magazine using the symbolic interaction theory of gender display developed by Erving Goffman in his monograph Gender Advertisements (1979). The study examines advertising images for evidence of sexual objectification of men, and reports on the extent different product types use gender displays to attract a male target market. 332 advertising images appearing in GQ from 1985 to 2000 were coded in ten categories of ritual display: setting, image position, image dominance, skin exposure, body portrayal, self-touch, gaze, and product type. The study concludes that trends of sexual objectification of men in GQ advertising are not revealed by application of Goffman's theory and method.

Library of Congress Subject Headings

Advertising, Magazine--History; Men in advertising--History

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Department of Communication (CLA)


Sorce, Patricia

Advisor/Committee Member

Austin, Bruce


Note: imported from RIT’s Digital Media Library running on DSpace to RIT Scholar Works in December 2013.

Physical copy available from RIT's Wallace Library at HF6107 .M37 2003


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