Yea-Ryung Yoo

Abstract

This thesis examines the creative process involved in the creation of a work of art; in this case, a painting. First, the artist creates a visual language, which becomes his instrument of communication. Then in the studio, the practical process activates visual representation of the language, communicated in brushstrokes. The visual image created through this process stimulates the artist emotionally, while imparting a sense of satisfaction to the viewer who understands that he has been brought into the aesthetic world created by the artist.

Library of Congress Subject Headings

Painting, Modern--Philosophy; Painting, Modern--Technique; Painting, Modern--Themes, motives; Artists--Psychology; Art appreciation

Publication Date

11-20-1999

Document Type

Thesis

Department, Program, or Center

School for American Crafts (CIAS)

Advisor

Cole, Bob

Advisor/Committee Member

Dickinson, David

Advisor/Committee Member

Miller, Edward

Comments

Note: imported from RIT’s Digital Media Library running on DSpace to RIT Scholar Works. Physical copy available through RIT's The Wallace Library at: ND1140 .Y66 1999

Campus

RIT – Main Campus

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