You Know that Feeling You Get Right After You Vomit? Yeah, I Want to Feel That is an ongoing collection of photographic and sculptural components existing as found object mixedmedia such as oranges, wood, flowers, and inkjet prints held by T-pins. Through a surrealistic indulgence of abjection and uncanniness, with an implied bodily violence, this series of work comes to an understanding of time, identity, and existing between social boundaries creating a push and pull to define “in-betweenness”. This contradiction causes a psychic dissonance, or a mental contradiction of belonging; to exist in-between is to exist uncannily. “In-betweenness” is represented by images of my body fractured and separated into limbs and torsos as a metaphor for the split psyche. By referencing traditional tropes within art history, such as flowers, fruit, the nude, and death portraiture, I redefine myself in my own terms from the ground up.
Library of Congress Subject Headings
Photography, Artistic; Still-life photography; Photography of the nude; Abject art; Mixed media (Art); Human figure in art
Photography and Related Media (MFA)
Department, Program, or Center
School of Photographic Arts and Sciences (CAD)
Chan, Jin, "You Know that Feeling You Get Right After You Vomit? Yeah, I Want to Feel That." (2020). Thesis. Rochester Institute of Technology. Accessed from
RIT – Main Campus