Author

Andrew James

Abstract

When examining an image, a viewer often focuses on what they see and less often on what they are able to see. Nowhere is this as true, and as problematic, as it is with the visual representation of persons of African descent. This study describes how problematic photographic representation was used as a powerful semiotic tool in the Victorian age conquest of the other, was exported to early Hollywood (creating a lucrative hate-based industry), and was then pushed back into the cultural recesses, settling finally into systemic forms of modern oppression, empowered by the invisibility of whiteness. Images from the RIT archives serve as the text, multiple theories serve as the framework, and Barthes’ cultural semiotic contextual method of analysis serves as the tool with which to understand the images - revealing a complex portrait of power and privilege.

Publication Date

8-12-2017

Document Type

Thesis

Student Type

Graduate

Degree Name

Communication and Media Technologies (MS)

Department, Program, or Center

School of Communication (CLA)

Advisor

Andrea Hickerson

Advisor/Committee Member

Grant Cos

Advisor/Committee Member

Jonathan Schroeder

Campus

RIT – Main Campus

Share

COinS