Abstract

The purpose of my thesis was to express various aspects of human spirituality using sculpture as the vehicle for this expression. During the course of my exploration clay and glass each came to take on special metaphorical significance and it became crucial to include both materials within the sculptures. I wanted to create a "marriage of materials" wherein the clay and glass needed each other to make a complete statement. Various clay surfaces and glass processes were explored and will be described later.

Library of Congress Subject Headings

Sculpture--Themes, motives; Ceramic sculpture--Technique; Glass sculpture--Technique; Sculpture--Technique; Mysticism and art; Spirituality in art

Publication Date

11-8-1993

Document Type

Thesis

Department, Program, or Center

School of Art (CIAS)

Advisor

Hirsch, Richard

Advisor/Committee Member

Schmitz, Robert

Advisor/Committee Member

Taylor, Michael

Comments

Note: imported from RIT’s Digital Media Library running on DSpace to RIT Scholar Works. Physical copy available through RIT's The Wallace Library at: NB1910 .H66 1993

Campus

RIT – Main Campus

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