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Documents from 1996

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Art as environment, Victoria Moore

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Reflections on wood, Katherine Park

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Simplicity, Angela Stickell

Documents from 1995

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Reality and appearance, Apinya Boonprakob

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Ascension, Clifford M. Commanday

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Ceramic tableware for everyday utility, Pamela Delyannis

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Passages, Steven Kaplan

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Perpetual cycles, Lauren MacBlane

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Teapots, Frank Mckenney

Documents from 1994

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Collection: A Transformation of art into fashion, Kristin France

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Glass sculpture: Light and time, Dan Hertzson

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Memories in nature, Keng Nio Ong

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Sentinel: Monumental sculpture, Charles Jerome Washburn

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[Title goes here], Walter Zimmerman

Documents from 1993

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The Nature of beads, Michele D. Miller

Documents from 1992

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Room dividers, Els Christensen

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Projection of values through body ornamentation, Lydia Gerbig

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Functional teapots, Michael R. Hughes

Documents from 1991

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Living volumes, George D. Yanson

Documents from 1990

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Fabric and paper: Expressive potentials in fiber, Rebecca Cunningham

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Felt garments, Mitsuko Tarui

Documents from 1988

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The Integration of Ghanaian traditional pottery and American contemporary ceramics, Vesta Elizabeth Adu Gyamfi

Documents from 1987

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Personal vessels, Keith Cullen

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The Exploration of spatial relationships through a personal iconography, Sara Koblentz

Documents from 1986

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Modular constructions: a written documentation, Susan Clellen

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Porcelain tableware, Geoffrey R. Flickinger

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My pursuit of a successful glass business, Margery Pearl

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The design and construction of furniture for mass production, Kevin Stark

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Pattern within porcelain, Virginia Carol Swisher

Documents from 1985

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Structural influences in nature, John Hair

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Two dimensional design on thrown forms, Roxanne H. Locy

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Container forms, Deborah W. Pratt

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Ceremonial vessels, Paul Sherman

Documents from 1984

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Dye imagery, Linda C. Brown

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Glass: A Study of interior spaces, Concetta Mason

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Simplicity in form: functional and sculptural, Mary Roehm

Documents from 1983

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Commemorative Pottery, Jo Brenner

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Form, Donna Colebeck

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Landscape/mindscape: a partial inventory of influences, Janelle Delicata

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Fabric constructions, Joanna Dunkin

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Brushwork on bowls, Elizabeth Gordon

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Sounds in clay: a study of vibrating ceramic sculpture, Ward Hartenstein

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Basket forms: one woman's cure, Virginia Kirtland

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Variations, an analysis, Janet Lauroesch

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Process, color, form, space and motion, Susan Pineo

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Hammocks: a new vision, Laura Rowell

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Constructing a life, Teresa Vaitkus

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The Complexity of simplicity, Jette Whitely

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The adventures of Rose and Jody, Chapter 17: Jody does her thesis, Jody Williams

Documents from 1982

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An exploration in weaving and painting, Christine Forsythe

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Fluted and faceted porcelain, Barbara Greever

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A collection of differences, Susan Hamlet

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The manifestation of personal philosophies concerning material and form, Mark Methner

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Visual Softness in Ceramics, Sheldon L. Rexrode

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A ruin aesthetic, John Hutchins Ruppert

Documents from 1981

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Research into lead glass, S. Leon Applebaum

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Generative systems & the sense of vision, James Bouchard

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Stamping and embossing: a modern adaptation of Pre-Columbian metalworking processes, Richard Coble

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High temperature oxidation of sterling silver, Jon A. Hall

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Ceramic art: a vehicle for cultural awareness, Michael Olusola Olugbile

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Contemporary furniture and the pursuit of comfort, Joseph G. Prutch

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For the table, Donald Stuart

Documents from 1980

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A business primer for the artist/craftsman, Susan L. Alves

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Structural aesthetics in furniture design, James Clark

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The Synthesis of Dichotomous Influences, Wendy Maruyama

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Monumental wall reliefs, Susan Ferrari Rowley

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The academic tradition of storage furniture: 1100-1800, John Seamster

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Color as a stimulus for design in metalsmithing, Stephen Wright

Documents from 1979

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The Development of Liturgical Metal Craft, William Barba

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Visual Movement Produced by Bobbin Lace Techniques, Marian Beil

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Color me raku, Penelope Fleming

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Oil-Fired Pottery, Peter Regan

Documents from 1978

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Improved Methods of Plywood Carcass Construction, George Berry

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Printed imagery on fabric, Sheryl Fatla

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The practical use of the astrolabe: sculpture/poem, Robert C. Malone

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Rya Wall Hangings: Creation and Flame Retardation, Shelley Matthews

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Mechanical furniture, Michal Rosen

Documents from 1977

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Gesture Pots, Barbara Hancock

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Multiple Component, Ceramic Sculpture, Theodore Lossowski

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The effects of reduction atmospheres upon feldspathic glazed porcelain forms, John Richmond

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Naksha-I-Gashta: A Changed Design, Philip Smith

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Raku: The Gentle Art of Violence, Carl Stockwell

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Natural forms in clay, Karen Tretiak

Documents from 1976

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Mass Production Techniques for the Studio Potter, James Halvorson

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A comparison of the patterns formed by primary textile structures and their photographic abstraction, Pamela Perlman

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A Metalsmith's Guide to Toxicology, Margery Beth Rose

Documents from 1975

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Fountains: Ceramic forms that contain or move fluids, John Caster

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The construction of large holloware forms, James Chal

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Animated Ceramic Forms, Susan Hill

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Design and Construction of a Glass Casting Furnace, Lawrence Livolsi

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Electrodeposition of Metal onto Glass, Janice Whitcraft

Documents from 1974

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Death Watch, Andrew Gelfand

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The Formulation of a Woodworking Studio, D. Hunter Kariher

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Wood-working Curriculum Proposal, Thomas Lacagnina

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Constructed Objects, Dennis McShane

Documents from 1973

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Plastics combined with metals in the production of desk objects, Sharon Church

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Large wheel-thrown pottery, Eddie Davis

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Serving Dishes, J. Freimarck

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That's what's happening: the evaluation of eight Scandinavian crafts schools, David Powning

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Slip and Glaze Application, Barbara Sabbeth